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2010 Winter Games Public Art at Park Board locations
The City of Vancouver and the Vancouver Organizing Committee for the 2010 Olympic and Paralympic Games have both initiated public art programs to coincide with the Winter Games. The Park Board is the fortunate recipient of many of these works including permanent sculptures in parks and aboriginal pieces at official venues that reveal, surprise, challenge and celebrate Vancouver and the 2010 Winter Games.
VANOC's Vancouver 2010 Venues' Aboriginal Art Program (VAAP)
The Vancouver 2010 Venues' Aboriginal Art Program honours Aboriginal peoples in Canada by leaving an enduring legacy of exemplary artwork in the 2010 Winter Games venues that will live well beyond 2010. The program was developed by VANOC and the Four Host First Nations and features more than 90 talented First Nations, Inuit and Métis artists from every province and territory across Canada.
For more information on VAAP, the artists and the artwork visit vancouver2010.com
Vancouver Olympic Centre/Vancouver Paralympic Centre
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Name |
Spindle Whorls |
| Location |
Vancouver Olympic Centre/Vancouver Paralympic Centre / Exterior welcome work |
| Artist/Nation |
Aaron Nelson-Moody, West Vancouver; Squamish Nation |
| Details |
Five spindle whorls cast in white concrete on stainless steel mounts. Spindle whorls are well known to Coast Salish carvers who made these disc shaped weights and long spindles for the spinning of wool. |
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Name |
Grand Entry |
| Location |
Vancouver Olympic Centre/Vancouver Paralympic Centre |
| Artist/Nation |
Manitoba Aboriginal Arts Council Inc. Artists are: Colleen Cutschall, Lakota; Irvin Head, Cree/Belgian; Ian August, Metis; Riel Benn, Birdtail Sioux Reserve; Roger Crait, Metis; Jasyn Lucas, Ojibwe/Cree; Gayle Sinclaire, Cree; Jackie Traverse, Anishinaabe |
| Details |
Grand Entry is made up of 9 pieces which are all the artists' representations of the spirit of the Raven. They are all facing forward and each is placed according to where they would stand as individuals in a grand entry at a powwow to honour the community, ancestors and the future generations. |
Killarney Rink and Community Centre
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Name |
Bright Futures |
| Location |
Killarney Rink / Exterior welcome work |
| Artist/Nation |
Brent Sparrow, Vancouver; Musqueam |
| Details |
A sandblasted glass whorl on a stainless steel base, the design is a Salish face as the central figure surrounded by larger triangles that represent athletes of today. The smaller faces represent our future athletes. |
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Name |
The Eyes of the People |
| Location |
Killarney Rink / Lobby |
| Artist/Nation |
Dionne Paul, Sechelt Nation |
| Details |
Five stained glass panels (including vintage glass salvaged from the old ice rink) that depict flowing water like images of the Coast Salish eye symbolizes the eyes of the people from past, present, future. |
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Name |
Spirit of the Olympics paintings (2) |
| Location |
Killarney Rink / Lounge |
| Artist/Nation |
Stephen Peltonen; Ontario; Cree |
| Details |
Two acrylic on canvas paintings in red, yellow, blue, white and green to follow with the Olympic values and themes. |
Trout Lake Rink

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Name |
Sacredness of Four |
| Location |
Trout Lake Rink / Exterior welcome work |
| Artist/Nation |
Ray Natraoro, North Vancouver; Squamish Nation |
| Details |
Water-jet cut granite mounted on stainless steel, this work features designs based on the sacredness of things in four: four directions (north, east, west, south); peoples of the world then coming together from these four directions; four seasons; four stages of life (infant, youth, adult and elder). |
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Name |
Metamorphosis |
| Location |
Trout Lake Rink / inside rink |
| Artist/Nation |
Alan Syliboy, Mi'kmag, Nova Scotia |
| Details |
Series of 12 96"x48" paintings of Mi'kmaq cultural motifs. The moose, caribou and butterfly are all cultural motifs of the Mi'kmaq and come from petroglyphs, the oldest connections to his ancestors. |
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Name |
Untitled |
| Location |
Trout Lake Rink / Rink entrance doors |
| Artist/Nation |
Elliott Doxtater-Wynn; Mohawk, Six Nations of the Grand River, Ontario |
| Details |
Sandblasted film on doors depict raven in a swirling composition that includes a winged spirit figure moving toward an eagle feather. These figures represent the spirit of all Nations working toward a common goal of achievement. |
Southeast False Creek

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Name |
Salish North Star in Maple Leaf |
| Location |
Southeast False Creek / Plaza welcome work |
| Artist/Nation |
Wade Baker, Squamish Nation, BC |
| Details |
Stainless steel with sandblasted finish on granite base, the design is a contemporary Coast Salish North Star within the Canadian maple leaf symbolizing the Winter Games and also welcoming the world internationally to the community. |
City of Vancouver Olympic and Paralympic Public Art Program
The City of Vancouver's Olympic and Paralympic Public Art Program is an ambitious collection of newly commissioned temporary and permanent artworks for 2010. The program includes more than 20 public art projects, spanning large-scale legacy installations and artist-initiated works. Works commissioned fall into one of three categories: Mapping and Marking Vancouver 2010; Major Venues and Sites; and Bright Light.
Stanley Park
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Name |
Aerodynamic Forms in Space |
| Location |
Stanley Park, Georgia Street entrance |
| Artist |
Rodney Graham, Vancouver |
| Details |
A significant installation that is inspired by model glider kits and a nod to the location's nearby seaplanes. This work will be highly visible at the entrance to Stanley Park. |
Southeast False Creek

(artist's concept) |
Name |
The Birds |
| Location |
Southeast False Creek Olympic Plaza |
| Artist |
Myfanwy MacLeod, Vancouver |
| Details |
Overlooking False Creek and adjacent to the new community centre. The piece attempts to highlight what can happen when a non-native species is introduced to an environment and how the beauty of birds can sometimes mask their threat to biodiversity. |
English Bay
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Name |
Vectorial Elevation |
| Location |
English Bay (Vanier Park, Sunset Beach) |
| Artist |
Rafael Lozano-Hemmer, Canada |
| Details |
Using 20 large robotic searchlights around English Bay, the canopy of the Vancouver sky is transformed by the local audience or individuals worldwide who design their own patterns via a website . Their light sculptures are visible from a distance of 15 kilometres and the pattern changes roughly every 8 seconds. |
Other public art
Public art that is installed at venues or will be on display during the Games but is not part of any official public art funding program.
Venue art

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Name |
Luugwiloon totem pole |
| Location |
Killarney Rink / Lobby |
| Artist/Nation |
Eric Clayton, Nisga'a Nation from New Aiyansh |
| Details |
A cedar totem pole featuring Gitmidiik (super natural bear) represents community members of New Aiyansh and the four crests of the Nisga'a Nation (eagle, wolf, raven and killer whale).
This piece was donated to the Killarney Community Centre by the artist. |
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Name |
Piecing Together the Community through Art mosaic |
| Location |
Killarney Rink / throughout facility |
| Artist/Nation |
Corinna Hanson & members of the community |
| Details |
A series of ceramic tile mosaics depict various winter sports and celebrate the Olympic Spirit through art.
Funded through Host A City Happening grant. |
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Name |
Surface |
| Location |
Online at Roundhouse and False Creek Community Centres |
| Artist/Nation |
Fiona Bowie |
| Details |
A live documentary of the rich underwater life of False Creek, transmitted from a camera mounted under the Aquabus to screens located onshore to track the health of False Creek's marine life. |
Vancouver International Biennale
The 2009-2011 Vancouver Internal Biennale is a bi-annual public art exhibition that brings sculptures, new media and performance works by international artists to public parks, beaches and urban plazas, transforming the city into an open-air museum. Over two dozen installations can be seen around Vancouver and Richmond.
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