Platforms 2020: Public Works is a monthly series of public art projects being presented from June until the year’s end.
Public Works highlights the crucial role of art in our community by sharing the artworks of Vancouver-based artists who continue to work from their living rooms, bedrooms, and on the streets of the city at this critical moment.
The public art program is being launched on transit shelters, billboards, and video screens throughout the city.
Current project
Platforms 2020: November 30 to January 3
Grey Area
Paige Gratland’s Grey Area (2020) will be presented on transit shelters throughout the city from November 30 to December 27.
This is a photograph of Gratland’s handwoven “web” created during the early months of the pandemic as a way to process the uncertainty, injustice, grief, and upheaval that continues to mark our daily lives.
Paige Gratland, Grey Area (2020),
image of textile
Dear Tree
The drawing and text Dear Tree (2020) by the artist Nick Conbere and poet Fred Wah will also be presented on transit shelters throughout the city from November 30 to December 27.
This collaborative drawing is based on sketches that Conbere created of Vancouver’s surrounding forests to which Wah responded through poetry.
Nick Conbere and Fred Wah, Dear Tree (2020),
drawing and text
COEXIST
Stills from Mustaali Raj’s digital animation COEXIST (2020) will be shown on digital street signage throughout the city from November 30 to December 27.
In this these digital stills, Raj presents the resilience of circular forms as they morph into familiar and new forms, creating integrated patterns that are ever-changing.
Mustaali Raj, COEXIST (2020),
still from digital animation
Flow Tide
The video Flow Tide (2020) by Japanese calligraphy artist Kisyuu and dancer Shion Skye Carter will be presented on the VanLive Screen at Granville and Robson from November 30 to December 27.
In this work the artists collaborated for the first time while in isolation during the COVID-19 pandemic to explore the relationship between traditional calligraphy and dance.
Kisyuu and Shion Skye Carter, Flow Tide (2020),
still from video
Isolation
The photograph Waiting for a Friend from the series Isolation (2020) by Wade Comer will be presented on a billboard at Broadway and Prince Edward St from December 7 to January 3.
In this photograph Comer uses a long exposure to capture Stanley Park at night revealing details that are often obscured during the daytime, and provides an image of an empty bench that is a fitting analogy for a world in lockdown.
Wade Comer, Waiting for a Friend from the series Isolation (2020),
photograph
We Are One
Tafui’s striking work We Are One (2020) will be presented on a billboard at Helmcken near Granville from December 7 to January 3. Tafui’s practice includes painting, printmaking, wood carving, and textile art, the interconnectedness between these disciplines explored through a restructuring of approaches to minimal mark-making.
The artist explains: “My work is inspired by the idea that ‘we belong to each other’ and through the understanding of our histories and shared experiences we become united, as people, as cultures, and to the earth.”
Tafui, We Are One (2020),
mixed media on paper
Artist biographies
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Paige Gratland
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Fred Wah
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Nick Conbere
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Mustaali Raj
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Kisyuu
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Shion Skye Carter
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Wade Comer
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Tafui
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Osvaldo Ramirez Castillo
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Ryley O’Byrne
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Sunroop Kaur
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Dejan Radovanovic
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Manuel Axel Strain
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Gerri York
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Laurie M Landry
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Wen Wen Lu
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Rina Lyshaug
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Lindsay McIntyre
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Jayce Salloum
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Chrystal Sparrow
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Bagua Artist Association
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Deanne Achong
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Jackie Dives
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Nicolas Sassoon
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Jag Nagra
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Randy Cutler
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Sharona Franklin
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Yeonoo Park
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Nicole Kelly Westman
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Marisa Kriangwiwat Holmes
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Hazel Meyer
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Jack Kenna
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Sunny Nestler
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Phoebe Parsons
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Birthe Piontek

Osvaldo Ramirez Castillo’s drawing Hybrid Creatures (2020) is shown on a billboard at Broadway and Prince Edward Street (November 9 to December 7). Hybrid Creatures proposes the importance of personal myth as a guiding metaphor that supports us to reconnect with our lives. Reflecting on our recent times of collective unease and anxiety, this project offers the public the opportunity to explore and re-discover their own story, voice and myth anew in an uncertain world.
Sunroop Kaur’s painting Biogenesis of She (2019) is presented on transit shelters throughout the city (November 2 to 29).
Since the pandemic O'Byrne has been working on a project documenting touch, intimacy, and loss through text and images. Interested in how the world has had to shift and expand methods of communicating, the artist captures this curious and complicated space where technology and humanity blend.
Dejan Radovanovic’s video Talking Trees (2020) is presented on the VanLive screen at Robson and Granville (November 2 to 29). This meditative piece is a digital animation of a miracle forest where trees can communicate with their visitors, helping them to create interpretations, speculations, and meanings. Placing the inner world above external reality this video reveals that there is no better place to contemplate ourselves than in the woods.
Manuel Axel Strain’s photograph Harmoniousness Reductions (2020) are shown on transit shelters throughout the city (November 2 to 29). This work brings greater visibility to the current health crisis that is less talked about: the overdose epidemic, and its disproportionate impact on Indigenous people. The artist describes the work as an image of survival, and testament to their own endurance as having been sober now for over six and a half years and having lost countless others to the disease.
Distant
Wen Wen Lu's Isolated

Jayce Salloum’s series of works ever close (beyond now) (2020) are presented on 20 digital screens throughout the city with messages that the artist sporadically wrote through this time of quarantine. He describes these messages as “sutured manifesto disguised as poetic ramblings and rants out into the void.” Trying to present something resonant and useful, his messages tackle our present point of fear, regression, pain, promise and hope, and the unforeseeable future.
Chrystal Sparrow's Coast Salish Artist
Pandemik Piks (2020), a series of drawings presented on 18 digital screens throughout the city, was originally conceived on Instagram loosely around the idea of hair. Midway through the project, when the deaths of Breonna Taylor and countless others filled the news, the artist’s feed was populated with black squares. In response to these ambiguous squares the artist scanned, altered, and reversed the drawings, creating exploding and flowering hair piks. The series now reflects her thoughts on the world being on fire.
Bagua Artist Association’s Roadside Diary
As I walked through the Vancouver neighbourhoods where I grew up I found myself compelled to photograph things that looked overgrown, neglected, forgotten. But I saw freedom in those things too, a lack of inhibition that my dad had embodied. These photographs allowed me to reconnect with my dad and remember him in his complexity, instead of his faults.”
During the first stages of COVID-19, Nagra re-imagined the warrior as a frontline healthcare worker battling the spread of the virus. It was a way for the artist to cope with overwhelming anxiety from not knowing what COVID-19 would bring during its early stages.
Nicolas Sassoon’s Tree Houses
Medallions and commemorative religious plaques, typically hung on the walls of peoples’ homes are often accompanied by proverbs speaking to hegemonic conceptions of the divine and the exceptional. Disability Pride Plaques transform these preconceptions, resituating the domestic into the public sphere.
Yeonoo Park video


Nestler’s billboard is a reproduction of Coneworm Floe, an acrylic painting that the artist produced in March during a residency at the Banff Centre that was evacuated due to the COVID-19 lockdown. 
Birthe Piontek’s photographic series